Person of Interest/Birds of Prey

 

 

 

 

 

 

 

No, I’m not pushing for some kind of crossover or meet up between the two (although I think it would be fantastic), but I’ve been struck over and over by the similarities between these two things that I really enjoy, so I thought I would see if anyone else has noticed them.

For those who know only one or the other (or, I suppose, don’t know either, but I’m not sure why you’d be reading this in that case), some simple background on both.

As originally conceived, the Birds of Prey comic book was about two characters. Barbara Gordon, formerly Batgirl, had her spine damaged in a savage assault by the Joker. Rising to the challenge, even confined to a wheelchair, Barbara put her formidable mind to work and became Oracle, the world’s best hacker, tapping into information systems, manipulating records, finding out about all manner of trouble in the world.

But there’s only so much you can do from behind a keyboard, and Barbara was smart enough to know that. After looking into several candidates, she approached former Justice League member and second generation hero Black Canary. Canary was at a low point in her life. Her long time lover Green Arrow was dead, she was working by herself and being careless, barely making it through some cases. Oracle recruited her, and they became an incredible team, combining Canary’s phenomenal fighting skill and experience with Oracle’s knowledge and research, later expanding to more members. Canary didn’t know who Oracle was for a long time in their partnership, communicating by emails and voice over computers.

Sadly, all this has been retconned away, but it was a great idea for a very long time, created by Chuck Dixon, and later continued by Gail Simone.

Person of Interest is a show on CBS. On it, a computer genius who goes by Finch (played quite well by Michael Emerson) has designed a machine for the US government to predict terrorism plots. But, it can also predict smaller crimes, which the government wasn’t interested in. Finch was, and realized he needed to do something with the information. Himself partially physically disabled under still not explained circumstances, Finch recruits John Reese (Jim Caviezel), a former CIA hitman living on the streets after losing the love his life. Reese’s combat skills and Finch’s computer genius let them get to people in trouble and help them. The show is brilliantly written and acted, with some great additions to the cast over time. Oh, and one of Reese’s hobbies is trying to figure out who Finch really is.

See any similarities? I strongly recommend fans of the comic (pre-reboot only) to check out the show. Likewise, if you’re a fan of Person of Interest, find a comic shop, or go to Amazon, and order some of the early Birds of Prey, just not anything from 2011 or later. I really think if you like one, you’ll really enjoy both.

Gail Simone fired by DC Comcs from Batgirl… via e-mail

On November 30th, there was a rumor flying around about Gail Simone leaving Batgirl, her sole remaining title at DC Comics. Mrs. Simone is usually very good about responding to and interacting with her fans. Her entire response to the rumor seemed to be a single post on her own forum “I have not left Batgirl.” This was a relief to some fans, but the phrasing was cause for concern to others. Apparently, those of us who tend towards the pessimistic were right in this case.

It has been reported, and confirmed by Gail Simone herself, that she was not only fired from the book, but that it was done over e-mail. Apparently new editor Brian Cunningham didn’t feel that she rated so much as a phone call. Personally, I find this horrifically rude and disrespectful at best, and would not wish that kind of treatment on someone I didn’t like, let alone Gail, who has been a favorite of mine for years. From Gail herself:

“Okay, well, if you read the news on Bleeding Cool, I unfortunately have the sad duty to confirm that it’s true. As of Wednesday of last week, I was informed by an email from my new editor that I am no longer the writer of Batgirl.

I cannot express my disappointment at this. I think everyone is aware how important Barbara Gordon is to me, and how important it is to me that her stories be told with respect and care, both for the character and the readers.”

So, what happened with all this? Well, let’s see. Gail Simone is a critically acclaimed, award winning writer. I don’t love everything she did with the rebooted Batgirl, but I don’t think any of it was badly written. I think there’s plenty of that in the DC reboot, but Gail isn’t part of that problem. So I’d say quality wasn’t the problem. Sales? Nope, Batgirl under Gail was selling solidly, over 50,000 copies a month, which is a very respectable amount these days. So why would you fire a popular writer with a devoted following? Possibly another hint, this time from Twitter:

@gailsimone did you not put enough women in refrigerators or something?

— Mike Nelson (@themikecnelson) December 9, 2012

@themikecnelson Funny you should say that.

— GailSimone (@GailSimone) December 9, 2012

For those who don’t know, “women in refrigerators” is a comic fan phrase referring to the deaths of female characters, for no apparent other reason than shock value. The phrase, coined by Gail herself, refers to a story early in the career of Green Lantern Kyle Rayner, who comes home to find his girlfriend brutally murdered and stuffed in a refrigerator by the villain Major Force. Kyle lost at least two other girlfriends, both superheroes, along the way, in needless death scenes.  Gail’s response there seems to hint that she was either told she wasn’t killing enough people, or was instructed to kill a female character and refused, or at least didn’t want to do it.

There are a lot of other theories popping up in the aftermath of all this. Some accuse DC Comics of becoming some kind of “old boys” club, with fewer and fewer female staff there. The news about Gail Simone comes uncomfortably close on the heels of the news that Karen Berger, who worked so many years for DC’s Vertigo imprint, had also left. Some have noted that female characters over-all don’t seem to be doing as well in the DCNU. One of the examples cited most often is that they found a way to shoehorn in all four male Robins in their revised timeline, but not only was Steph Brown the only female, left out of that group, she has not appeared in any DC title at all and has been apparently blacklisted by one of the higher ups at the company. Others mention the formerly overweight, tough as nails Amanda Waller becoming yet another pin-up model type in the reboot.

Personally, I noticed a trend in the DCNU that I hoped I was wrong about. Gail Simone was particularly noted for certain titles before the re-launch. She did a great job on Secret Six, a book about a band of third string villains who operated as mercenaries. They followed their own somewhat twisted ideals, and developed some real bonds with each other. The book sold reasonably well, reprint trade paperbacks hit the New York Times bestsellers list, and the title won awards for its portrayal of lesbian characters. Not only did the title not make the jump to the new universe, but it has been retconned away, retroactively erased from the DCNU.

Gail also had a very long run on Birds of Prey, a team founded by Oracle, the former Batgirl Barbara Gordon, and was identified strongly with that team. So much so that many mistakenly believe she created it, although that was actually Jordan K. Gorfinkle Chuck Dixon (another great writer now persona non grata at DC, but that’s another story). Gail was writing the Birds when the reboot was announced, and had the book taken from her, then given to someone who didn’t write comics. As that book and Batgirl unfolded, it became clear both that the previous Birds had never existed, and that Barbara was never Oracle. So, the two books Gail was best known for never happened. And now, she’s been fired from Batgirl, a character she loves, that fans associate with her, for reasons other than quality or sales.

Well, Gail isn’t male. She doesn’t write random violence and death with sex-pot females who serve as window dressing. She writes good stories with depth of character, respecting the history of the characters, and giving them complex motivations and personalities. In short, to many (no, not all) long term readers, she writes the opposite of what the new DC seems to be about. Is this why they took her off the last DC title she was writing?

It’s interesting: DC made the decisions along the way to erase the things Gail was best known for. And now, Gail herself is gone, for reasons so far not released. Of course, DC is a company, they are not accountable to the fans, and they don’t have to tell us anything. But in the absence of information, people make up theories and discuss rumors. I can’t say that anything I’ve mentioned here is why DC did anything and I wouldn’t presume to make myself an authority on their thinking, reasoning, or methods. What they’ve done fits what I’ve noted here. And you add in the oddness about Stephanie Brown, for example, and the general portrayal of female characters, and a pattern emerges. Gail writes real women. Look at the covers for any DC book, or several of their first issues in the reboot. The women wear as little as possible, take THAT off at random, and have sex because they are “bored.” That’s not a real woman, that’s the fantasy of a very immature man. Which is the stereotype of so many comic book fans. Some of whom are now writing and editing these very books. Hmmmm…….

10 Things I won’t miss from City of Heroes

With the game sadly leaving so soon, I put together this list to make myself feel better.  Given the option, I’d gladly deal with all of these for the chance to keep playing.

1. Clockworks. Metal cockroaches for lower level players.

2. Having to fight things that don’t give XP: auto turrets, Death Shaman’s zombies, Communications Officer’s Conscripts etc.

3. Getting herded into certain missions at certain points, no matter what. “Go talk to Lt. Wincott in the Hollows,” etc.

4. The unfindable mission objective. Sometimes that last hostage, glowie, whatever, just can’t freakin’ be found. That, to me, is not fun.

5. “That map.” Everyone has one. For me, it’s the cave mission map with the big room with multipile levels. I can never find my way through those. Some have a problem with the big Council base room with the water tanks, but about everyone has one type of map they can’t stand.

6. The number requirement on Task Forces. It’s irritating to be told you can’t do a mission because you can’t find enough people to go along with it. If you have two or three people you do well with, why not let the smaller group do the TF?

7. The second floor of the hospital. I don’t know why they feel the need to put you on the top floor and make you come down in elevators, THEN go back to the missions when you get killed, but it’s really annoying.

8. Heroes can beat the invading hordes of aliens, fight gangs at a time, defeat powerful arch villains, but get caught on cardboard boxes.

9. Targeting something you can’t find. Tab lets you autotarget, but that doesn’t mean you can always find said enemy.

10. Having to “earn” the cell phone information from your contacts. They send you out on life threatening missions, the least they could do is give you their phone number!

November brings dark days for hero fans

 

November is just a bad time to be a superhero fan this year. There’s already been a lot written about the demise of City of Heroes, which is due to go dark on November 30th. I will definitely miss that game and community, and they have still not offered a satisfactory explanation as to what led to this choice, giving a lot of non-answers and one of the creators behind the game even telling fans to not worry about why it’s happening, or words to that effect, which I find suspicious at best.

Sadly, there’s more bad news on the hero front. With Young Justice mysteriously on hiatus until January (another hero event left wholly unexplained), the best hero cartoon running right now is Avengers: Earth’s Mightiest Heroes. The show has both well know characters like Captain America and Iron Man, and some lesser known lights like Ms. Marvel, Black Panther, and the Vision. They’ve done a lot of great stories, and it’s been fun watching the team evolve and grow. But, this week is the show’s final episode. The reasoning I’ve been hearing is that they plan to “continue” the show sometime next year as a new one called “Avengers: Assembled.” It seems an odd shift to a show that’s doing so well.

I’m hearing rumors that I very much hope are not true that the new show will be a lot more kid oriented, like Ultimate Spider-Man with its odd inner monolog asides, ala the sitcom Scrubs. I think Ultimate Spider-Man is a decent show, but I much prefer the more serious tone of Avengers. It’s the same with the anime influenced Teen Titans contrasted with Young Justice. I liked both, but I really prefer Young Justice (and hope it does come back and enjoys a long run).

I find myself in an odd place as a general hero fan. I think Ultimate Spider-Man, Green Lantern, and the forthcoming “Hulk: Agents of SMASH,” to be a bit too kid-centric for my tastes. On the other side of things, most of the DCNU is so adult oriented that I actually don’t recommend the books to any of my friends looking for something for their kids to read, which saddens me. Isn’t there a middle ground somewhere? Are our only options goofy kid stories or death/sex/violence?

I’m hoping the new Avengers show continues the feel of Avengers: EMH, like Justice League became Justice League Unlimited, although that change was a lot more seamless. December is looking like a cold time for heroes. No more COH, Young Justice MIA, Avengers ending. About the only thing we have going is Arrow, which is enjoyable, if a bit blood thirsty. Maybe I’m just not who the producers of hero-themed things are looking for these days.

Oh well. I’m off to re-watch my DVDs of the Flash tv show, JLU, and even the recent Avengers movie. There are some good heroes out there, they are just getting harder to find. No wonder Dynamite is getting more of my money. If they’d only used THIS story for the recent movie instead of the disaster that was Green Hornet…

 

Note:  There are counter-rumors starting that Avengers: EMH may not be cancelled after all, but no one seems to know for sure at this point.  This is one of many things I’d be quite happy to be wrong about.

Some Thoughts about DC’s Earth 2 Comic

Several months ago, as part of the second wave of comics in the “DCNU,” DC debuted “Earth 2,” which so far features reboots of characters from the Justice Society. Their decades-long history has been erased, and these new versions are at the very start of their heroic careers. The start point of this title was Batman, Superman, and Wonder Woman sacrificing themselves to end the war against the forces of Apokolips. So, from the very beginning, we see things are different, as the “Big Three,” die horrible deaths and large swaths of the Earth are destroyed.

In the initial history, the founding membership of the Justice Society of America was: Atom, Doctor Fate, Flash, Green Lantern, Hawkman, Hourman, Sandman, and the Spectre. Of these, so far we have seen Atom, Flash, GL, Hawkgirl, and Sandman as of issue five. Hawkgirl made a comment that could be construed as an allusion to Dr. Fate when she met Flash, and there have been several passing references to Tyler Chemical, which is the company run by Rex Tyler, better known as Hourman. Hawkman and Spectre have both been used on the main Earth, so they are, if rumor is to be believed about restrictions on duplicate characters, not going to appear in the book.

Other passing references have included Ted Grant, before the reboot long-time hero Wildcat. So far, he’s been just talked about as a boxer, and there was at least one poster referring to a Grant vs. Montez fight. Yolanda Montez became Wildcat after the Crisis on Infinite Earths, carrying on Ted Grant’s legacy, and her father was supposedly a fighter Grant had met in the ring. When Al Pratt was exposed to radiation, no doubt giving him his powers as Atom, a soldier near him was called “Harper.” The Guardian was a non-powered hero with an indestructible shield whose real name was Jim Harper. There is a mysterious “World Army” lurking around the edges, and they have made references to Red Tornado and Captain Steel.

Red Tornado was said to be “not completed,” which strongly suggests what we will eventually see is the android version of the character who has wind related powers, best known as a member of the “Satellite Era” Justice League. What many either forget or don’t know is that this android started off on Earth 2. Captain Steel was on the other side of the world, which implies he’s some kind of active operative. There have been, in the pre-reboot world, Steel, also known as Commander Steel, member of the All Star Squadron, Steel, his grandson, member of the often derided “Justice League Detroit,” and Citizen Steel, who was in the last incarnation of the JSA before the reboot. Based on what I’ve seen of the other characters, I’d bet that it will be some version of the original with an amalgamation of bits from the other two versions.

There is a new Justice League book coming next year, and we’re told one of the members is going to be Stargirl, with ties to Starman. Both of those characters have ties to the JSA, but there have been several characters called “Starman,” so we don’t know which it will be. Stargirl is also rumored to have ties to Pat Dugan, who used to be Stripesy, of the Seven Soldiers of Victory, partner to the original Star Spangled Kid, and then was known as STRIPE, when he built a suit of armor. So it sounds like Stargirl and Stripe/Stripesy are not going to be a part of Earth 2. It also sounds unlikely Star Spangled Kid (later Skyman) will be, either. And at least one Starman is out of the running. Three of them, the blue skinned alien Mikaal, Will Payton, and the alien ruler Gayvn, have no ties to the JSA, so if it’s one of them that’s linked to Stargirl, we might still see a Starman in the Earth 2 book… unless that “no duplicate characters” rule comes into play again.

Three of the heroes who have played the biggest parts so far in the Earth-2 book are Green Lantern, Atom, and Flash. All of them are different from their previous incarnations in various ways. The original version of the Flash was a scientist, a brilliant man who adopted his trademark winged helmet by way of tribute to his father, who wore a similar (but non-winged) helmet during his service in World War I. The modern Flash seems to be something of a slacker and drifter– so far all we know is that his girlfriend left him because he wasn’t driven enough and that he has studied parkour (free running) at some point.

Green Lantern has been changed on many fronts. The original used his ring for a wide variety of effects, including the creation of constructs like modern day Lanterns. The modern era version has been shown to fly, use superhuman strength, and stand up to a great deal of damage, more resembling such characters as Superman and Captain Marvel than Green Lantern. His costume has changed a lot, losing the cape and in general looking more like the version in the alternate future story Kingdom Come than most of the ones Alan Scott wore in his time as a hero. They also decided to change his sexual orientation, making him gay in this version. All in all, a great many changes, not to mention the ret-conning away of two marriages and a pair of superhuman children, Jade and Obsidian.

One could almost argue that the Atom has been changed the most. Before the reboot, Al Pratt, the original Atom, was initially a non-powered fighter who later gained a frequently ill-defined “atomic punch.” Pratt had two legacy characters based in different ways upon him: his son Damage and his godson, Nuklon, later known as Atom Smasher. Damage had many powers, but was usually shown blowing things up with a massive energy display. Atom Smasher originally could make himself intangible, but later (and never explained) his power changed to growth. The Atom in the Earth 2 comic shows elements of both these characters; we’ve seen energy blasts come from his hands and he can grow to immense size. Additionally, this version of Al Pratt was a soldier when he got his powers, and is still a government agent. The original Pratt was a hothead and a rebel; I had seen a line from his teammates that “The unofficial battle cry of the Justice Society is ‘Atom, wait!’” So now the modern Atom incorporates two other characters formerly related to him, as well as having changed his personality somewhat.

One point I find interesting about the Earth 2 book is the name. It is not called “Justice Society,” or any version of that. Given the history of the Earth 2 designation and the characters we’ve seen so far, it’s an easy assumption to make that this team will eventually become the DCNU version of the JSA. But we don’t know that’s true, and I’d be a bit surprised if they do eventually name it that. The DCNU seems to be a lot about modernizing things, and really, when was the last time you heard anything calling itself a “society” outside of a college lecture class? I’m hoping that the team eventually pulls together and becomes a real organization, but I don’t know that the name will come back. I am wondering if they might choose to go with some variation of DC’s biggest (literally) Golden Age team, the All Star Squadron.

There’s another detail about the history of this world that seems to me to be glaring by omission. Before the current crop of heroes, there were Superman, Batman, Wonder Woman, Catwoman, Robin, Supergirl, and Terry Sloane’s “Mr. 8,” (my nomination for worst renaming of the entire reboot). What did these heroes do? There’s been no mention at all of any kind of supervillains. While Batman and his group work fine as street level heroes with no archenemies to battle it out with, that doesn’t really hold for Superman and Wonder Woman. But we’ve heard nothing of any major bad guys, either in terms of what they are doing now or what they had done before. Did Superman and Wonder Woman spend all their time fighting natural disasters?

Speaking of Sloane, he met Michael Holt, the DCNU’s Mr Terrific (formerly Sloane’s handle before the reboot) when Holt ended up on Earth 2 to escape the cancellation of his less than Terrific comic (ok, kidding about escaping the cancellation, but it makes about as much sense as some of the rest of this). Holt hasn’t been seen since, but I’m betting he’ll be turning up in this title eventually.

There’s been a lot of speculation about who else might appear in the book. So far, aside from the ones mentioned or hinted at above, I’ve only heard of one other character for sure. Issue eight is going to see the debut of Fury. Before the reboot, the original Fury was a Greek girl who was empowered by the actual Furies of myth. The second Fury was once Wonder Woman’s daughter, then retconned to be the daughter of the first Fury. Given the speculation around Robinson’s statement that Diana “wasn’t the last Amazon,” it seems like a good bet this new Fury will have some kind of connection to Diana. But what kind, and even if she’s coming in as a hero, remains to be seen.

Arrow Debuts Tonight

Translating a character from a comic book to anything else can be a bit tricky.  If someone’s making the big jump and going from comic to live action, anything is possible, from something amazing like Christopher Reeve’s Superman or Robert Downey, Jr’s Iron Man, to something a bit lacking, like Halle Berry’s Catwoman or X-Men Origins: Wolverine.  So, I had mixed feelings when I heard that the CW, former home of Smallville, was starting a new hero-based live action show based on a character I’ve always really liked: DC Comics’ Green Arrow.

As I learned more, and saw a few images and trailers, I saw both some good things and bad.  Seemingly random changes are frequently a sign of something bad coming (Jonah Hex, the tv show Birds of Prey), and there are several right off the bat.  Green Arrow has been the defender of Star City since the 40′s in various incarnations, and now it’s suddenly “Starling City.”  Oliver Queen, Green Arrow’s secret ID, has always been on his own, and suddenly has a mother and a sister.  Heck, they’re not even calling him Green Arrow, both character and show are simply “Arrow.”

That last change I’ve heard a rumor about and I’ll recount it here.  Recent superhero outings at the movies that have had less than stellar box office returns include Green Hornet and Green Lantern.  The theory I heard was the “green” adjective leading in was now more or less box office poison, and so they changed the name to just “Arrow.”  I have no idea if that’s true, but it’s at least semi-plausible.

On the good side, I’ve seen images and read articles that make it look like some other characters I’ve always liked will show up.  Dinah Lance, better known in the comics as Black Canary, has long been Ollie’s big love interest.  They’ve cast someone as Dinah, so hopefully a version of Canary will be forthcoming.  I’ll be doing a separate piece later on Canary’s triumphs and failures in video over the years.  Other characters of interest include “Tommy Merlyn,” no doubt some variation on GA’s biggest recurring foe, Merlyn; Jessica De Gouw as the Huntress (in some realities, Batman’s daughter AND one of Black Canary’s best friends), and Michael Rowe as Deadshot.  There’s also a teaser in the trailer of the mask worn by Deathstroke, one of DC Comic’s most fearsome mercenary characters.

On the actor end, there are some names I know and am happy to hear.  John Barrowman, perhaps best known (at least in some circles) as Captain Jack Harkness of Torchwood and Dr. Who will have a recurring role, yet to be revealed.  Paul Blackthorne, who made an amusing Harry Dresden, will be Detective Quentin Lance, Dinah’s father.  And Kelly Hu will be playing “China White.”  I admit, I’m not sure who that’s supposed to be, but any excuse to watch Kelly Hu is a good thing in my book.

As I write this, Arrow debuts this evening.  I’m looking forward to it, and will have a detailed review of the pilot as soon as I can.

Sometimes Even Heroes Need Saving

In-Game Rally to save COH

In-Game rally to save COH

I’ve always been a fan of heroes in most varieties they come in. When I heard about an online game that allowed you to make up your own, I was curious. Eventually, I checked it out, and I have been playing City of Heroes for something like eight years now. It’s a great game, they add new content regularly, and have some very creative power-sets if you want to further customize your character.

Sadly, NCSoft, the company behind COH (as it’s usually abbreviated), has announced they are closing the game. The reasons behind this seem murky. I’ve read that this is coming because of a “realignment of focus.” This is a great example of corporate speak that doesn’t really say much. Was the game losing money? Was there a management change? Do they simply not like superheroes? No one seems to know. Later, in a report on the site Tom’s Hardware, the company is quoted as saying “… the continued support of the franchise no longer fits with our long term goals for the company.” Again, what does this mean? If the game was just losing money, and this was an economic decision, I’d hate it, but I’d at least somewhat understand it. These vague phrases are making it sound a bit like something more is happening, and they just don’t want to say what it is. The community blog has an odd bit asking us to “not dwell on the ‘how’ or the ‘why…’” Again, to me this sounds like there is a good bit more to the story and we’re just not being let in on it. Have you ever seen something where you’re told not to ask why something is happening and had it turn out to be good news? Making it even odder, the closure was announced suddenly just after a new power set was introduced. It seems really odd to decide to end a game, but then release a new piece of it just days before said announcement. I really can’t help but wonder what happened here.

The many loyal players are doing their best to save their game. There are online petitions, and a mail-in campaign involving sending in masks. There have been several hugely attended in-game rallies to show support for the game. When one area is full, a new instance of that area is created. On a really busy night, for example, you might see Atlas Park 1 and Atlas Park 2. When I participated in this event, it was up to Atlas Park 32, and I am told it went higher. A site called www.cohtitan.com is leading the way to try and salvage something for the players. There is an online petition you can sign at: http://www.change.org/petitions/ncsoft-keep-ncsoft-from-shutting-down-city-of-heroes and an email address for the CEO http://www.cohtitan.com/forum/index.php/topic,4879.0.html. On Twitter, people are using #savecoh to try and do something for the game. More information can be found here http://boards.cityofheroes.com/showthread.php?t=296401 And the folks leading the effort have several ways you can help here http://www.cohtitan.com/forum/index.php/board,134.0.html

So, if you play a hero, this a chance to, in a small way, be one yourself. Do any or all of the above. Sign the petition, write to the CEO, use Twitter, come up with something else on your own. I’ve enjoyed this game for years, and I know many others have also. There’s a great sense of community among the players I’ve never felt in EverQuest, Star Wars Galaxies, or Star Wars: Old Republic. If you’ve ever played the game, do something to help it.

And if you never have? Consider at least signing the petition. After all, heroes don’t just help people they know, now do they?

DragonCon!

The whole is greater than the sum of its parts. Con is like that. A massive horde of gamers, geeks, sci fi fans, and all other manner of like-minded folk take over downtown Atlanta, GA, every Labor Day weekend for DragonCon. And if you’re reading my site at all, they likely have something that would be of interest to you.

The way DragonCon is structured is that there is a series of “tracks” about various special interests, raging from horror to Star Trek, Star Wars to costuming, gaming to writing, wrestling, and so many more. The schedule, when it comes out, goes on for pages and pages of descriptions of the tracks and the various panels within them. There’s even a track for skeptics, which I suspect would interest one friend and fellow writer of mine.

And it’s not just fans that come. Most of the cast of the ScyFy show Warehouse 13 was there. Many players from True Blood, John Barrowman of Torchwood and Dr. Who fame (who will be on the new show “Arrow” this fall) were all speaking and signing autographs. I got to hang out with Richard Hatch, Apollo from the original Battlestar Galactica briefly in one of the hotel bars. Writers more your speed? Kevin J Anderson, R A Salvatore, Laurell K Hamilton, Timothy Zahn, Mercedes Lackey were just some of the writers there, telling stories about writing, sharing tips, and dropping hints of future books.

Dr. Who confronts Ultron--- only at DragonCon would this make sense.

Part of the great fun for me is not only the chance to learn a lot from people who know their stuff, but the opportunity to be with so many like minded people. Let’s face it, a lot of us that are into sci-fi, comics, fantasy, whatever, get at least some degree of static for our choices. Not all, granted, but a lot. Here, we’re the norm. One of my favorite memories from the ‘11 Con is, amid the swirl of costumes (more on that later), three guys in business suits at the hotel bar, clutching their drinks. As I passed, one asked the other two “So, have YOU figured out what’s happening here yet?”

The Con is in five hotels, the Westin, the Sheraton, the Hyatt, the Mariott Marquis, and the Hilton, the last three connected to each other (and a nearby food court) by enclosed walkways, that many of us call “habitrails,” like the places for hamsters. The Marquis is in the middle of the three connected hotels, and as such, it’s the center of a lot. At the height of con, in the lobby area, it’s a huge press of fans, many of them in costume. Now, to be clear, you don’t need to be in costume to go to DragonCon. But a lot of folks do, and you ones that range from cheap Halloween “I guess I see what you were trying to do,” to some that look as good, if not better, than the ones in movies or on TV. And you’ll see popular characters, really obscure ones, and clever variations. One of the best last year was someone in the black and white suit John Travolta wore in Saturday Night Fever, topped with a Star Wars Stormtrooper helmet glittered up like a disco ball. This year, among others, I saw the Sun Maid Raisin Girl, a Stormtrooper Lifeguard, and many variations on Avengers. One thing I did notice as a trend in costumes. There were a very few of the DCNU ones, mostly the more classic character looks, at least from what I saw. But the DCNU can claim one victory. This is the first year I can remember not seeing anyone dressed as Oracle. That made me a tiny bit sad, I admit.

Add in a near-perfect recreation of Dr. Who’s TARDIS, remote controlled R2-D2′s and a K-9 (also of Dr Who fame), and some amazing props, and you see some great stuff. For one of the contests, it’s not just costumes but some kind of actual story, and one of the entries was a great Captain America, along with women dressed as the dancers from his recent movie, recreating the bond-drive scenes. I got a very close look at Cap’s shield, and it was phenomenally well done, looking just as good close up as it did on stage for the contest.

There are also two huge rooms (slated to be moved to separate buildings next year as the Con keeps growing) of dealers. They have replica weapons, action figures, toys, books (sometimes signed by the authors who are also there), games, props, about anything you could think of. There’s also a huge room of artists who sell and sign their work, and some at least will talk commissioned pieces.

There’s just a giant air of celebration among all the folks who go to this. It’s a huge party where you already know you have at least something in common with most of the people there. And this year, they straightened out whatever problems they had with pre-registration last year, turning a multi hour long process into a matter of minutes. There’s a somewhat upscale urban dance club between two of the hotels, and the looks from the patrons waiting to get in at the river of costumes flowing past is just really entertaining.

The only issues I noticed this year were minor, and more the doing of hotels, not DragonCon itself. One of the events in one of the ballrooms was shut down early after noise complaints. This seems a bit odd to me, that they book a hotel ballroom for a party that runs late near rooms where people sleep. Smacks of poor planning in my humble opinion. The Marquis, as I mentioned earlier the center of much of the partying/costume displays, also removed several sections of seating where in years past tired con-goes had sat to rest and chat. The staff of the Marquis lobby bar was also a lot more aggressive this year than I recall in past years about “If you’re not ordering, you can’t sit here.” But, as I said, these are minor issues. I strongly recommend the event to anyone interested in any aspect of, well, geek-dom, or whatever you care to call it.

One other note- as the weekend progresses, and as it gets later on some nights, I’d really hesitate to call it a family friendly atmosphere. It’s not bad, nothing over the top, but still…. if I had kids, I really wouldn’t bring them to this. Just a thought. Also bear in mind the crowds. Last year the official numbers were 45,000 attendees. This year they said 52. Hope to see you next year at DragonCon!

Dark Knight Rises Review (Yes, a bit late)

Batman and Catwoman share a dance

If you haven’t seen the Dark Knight Rises, stop here. Major spoilers lie ahead.

If you have seen it, really liked it, and don’t want to hear bad things about it, similarly, stop here.

I wanted to like it, I was looking forward to seeing it, I love hero movies, and have always been a fan of Batman, and I did enjoy the other two Nolan/Bale Batman movies.

I will say it’s not the worst hero movie I’ve ever seen, nor even the worst Batman movie I’ve ever seen– Batman & Robin still holds that title in my book. There were some good individual performances in Dark Knight Rises: Hathaway did well as Catwoman, Oldman was his usual fantastic self as Commissioner Gordon (if a bit over the top at one point, and Hardy was decent as this version of Bane. And, of course, Liam Neeson was great, if all too brief, as Ra’s Al-Ghul. And that’s about the extent of what I’m going to say about this movie that’s good. Sorry, folks.

There was so much stupid and/or “what were they thinking?” in this movie I don’t know where to start. I’m going to try and do this in some kind of order, but it may well be a long and wandering rant.

I don’t know why you’d decide to do a trilogy of superhero movies if you have a problem with both codenames and costumes, but that’s what Christopher Nolan seems to have done. While Selina Kyle is a very prominent character, and she even wears something sort of close to Catwoman’s costume, she’s never referred to that way. In fact, the closest it gets is a newspaper headline on a computer screen in the background about “The Cat.” And then we have “Officer Blake.”

Why Nolan, after giving interviews stating over and over again that there would be “no sidekicks” in any of his movies, essentially created a new Robin I have no idea. Let’s see, dark hair, orphan, figures out who Batman is on his own… Blake seems to be mostly Tim Drake, with the emphasis placed on his detective skills, and him deducing Batman’s secret is the same way Tim eventually became Robin. With five different Robins in DC’s present era, and another in the future, creating a new one makes no sense. And, of course, he too doesn’t appear in anything close to a Robin costume, although Tim Drake’s “R” symbol appeared in the background at the football game.

Nolan really does seem to have a thing against costumes, as I think on it. Look at the villains he’s chosen for his movies. First movie was Ra’s, who’s never had a costume, per se, and Scarecrow, who does, but never wore it aside from the mask. In the second movie, we had Two-Face, who wears a suit, and Joker, who… Wears a suit. Everyone knows the image of Joker in his purple suit, which he was actually in for a small part of the movie.

Most have probably heard the jokes by now about Bale’s Batman growl being difficult to understand at times. Add in Bane’s mouth covering mask, and then a scene with Gordon having an oxygen mask on in his hospital bed, and we’re ending up with a movie of unintelligible dialogue. I’ve read that when preview audiences had the movie screened for them, nearly all of them said they couldn’t understand a word Bane said. This was that much better?

Nolan was ambitious in trying to tell a Batman story. Unfortunately, he apparently decided to try several at once. There are elements in this movie of Knightfall, the classic first confrontation between Batman and Bane. The return from a long retirement for Batman is reminiscent of Frank Miller’s the Dark Knight Returns. Gotham under siege, with bridges blown and cut off from the rest of the nation, was a main theme of No Man’s Land. Then we also add in the introductions of Talia, Catwoman, and Robin (c’mon, that’s who he was) and there is just WAY too much going on, and none of it does justice to the original storylines.

Those are my major issues with the movie, but I’m far from done. I now move on to a whole host of minor ones, ranging from “That’s odd,” to “Amazingly stupid.”

As Batman and Catwoman infiltrate Bane’s tunnels, Catwoman cautions that Bane’s men are “No ordinary brawlers.” Batman replies “Neither am I.” He fights with skill against all the henchmen, and then devolves to less than a “common brawler” when fighting Bane. He throws wild roundhouse punches that, honestly, even *I* could have stopped. This is one of the world’s best fighters and planners? Use advanced skills against the thugs and then look like something out of an old Western bar fight against the big bad guy?

One of big hurdles Batman had to face in this movie was… climbing a wall. With a rope around him, which he didn’t use. Can someone, in tiny words, explain to me why he wouldn’t just use the rope, clearly capable of supporting his weight and fastened very high up, to climb most of the way out? Wouldn’t that be easier, help him conserve his strength?

Another pet peeve of mine in comic movies is needless changes. Bane has a very well documented place of origin, one of DC’s made up South American nations, Santa Priscia. Here, the prison Bane was in seems to be the Middle East or Northern Africa. There was NO reason to change this. Wasn’t much reason to change Talia’s origin either, aside from making us think Bane was Ra’s’ kid for most of the movie.

While we’re touching on the prison, let’s look at Bruce’s miraculous recovery. Did you know that you can heal from major spinal injury by having someone hit you in the back and then hang you from a rope? Neither did I. Guess we can eliminate a lot of spinal surgery with this technique.

And further on the issue of imprisonment, let’s look at the poor Gotham Police Department. The ones trapped underground are seemingly led by a cop played by Reggie Lee. Lee would be familiar to fans of the tv show Grimm, where he also plays a cop, and neither one of them can catch a break. But I’m not fussing about his bad luck. I’m more bemused by the fact that the vast majority of the GCPD is apparently trapped in caved-in tunnels for three months. During that period, not only do they not manage to escape, but none of them grow facial hair, and their uniforms stay miraculously clean. Pretty impressive for three months in a collapsed tunnel, having a barber shop and laundry down there.

Commissioner Gordon can’t seem to stop making enemies within the Department. In this movie, his rival is Peter Foley, played by Matthew Modine. At first I thought it was just me, but talking with others later, I found there were more than one who thought he looked confusingly like Harvey Dent as played by Aaron Eckhart in the last movie. I spent his first few minutes on screen trying to work out how Harvey had come back from the dead with no one noticing.

During the No Man’s Land-like portions of the movie, there’s apparently absolutely no way on or off the main island of Gotham, except the bridge they leave intact. Except for the never explained way Batman gets on there. And this lack of bridges utterly stymies the entire US military, including the special forces. Oh, if only there was some way to move troops underwater so that enemies couldn’t see them. You know, some kind of vessels that move beneath the surface, or maybe devices that let men breathe underwater. Maybe someday someone will create something like that.

When some of the special forces do manage to get into Gotham, they are immediately captured and killed. Bane not only knows they are coming, but when and their ranks? He addresses the leader as “Captain.” Now since we find out Ms. Tate is a traitor later, maybe she called Bane somehow after she met the soldiers, but if that’s how he learned about them, he must’ve been hanging out by her door. How’d that work?

Tate: Bane, they sent in soldiers, like we predicted.

Bane: Of course they did.

Tate: They’re here now, you’ll have to hurry.

Bane: That’s ok, I’m right here, hiding in your closet.

During the big final chase scene, there is all this tension and drama about the bomb. NONE of it makes any sense. Talia tries to remotely blow it, and is worried when the signal doesn’t go through, a bit odd if it only has about ten minutes till it blows. Then, as they drive the bomb around in the truck, Talia is concerned about being herded towards the reactor. If the reactor was booby trapped to flood when Lucius Fox tried to activate it, why in the heck was she worried about being steered in that direction? It wouldn’t deactivate the bomb, and if she’s willing to blow herself up, would she care if she drowned a few minutes early?

Towards the end of the movie, Blake/Robin laments that no one will ever know who saved the city. Really? Let’s see… no one sees Batman for eight years. Wayne becomes a recluse for eight years. Wayne reappears on a cane, doddering around. Then he can walk with no problem. Then Batman reappears. Then, they both die at the same time. Oh, and the huge armory, including other versions of Batman’s “Tumbler,” was under Wayne Enterprises. Gee, no connections there between Batman and Bruce Wayne.

There’s also Batman’s flying car or whatever you want to call it. It becomes crucial for the resolution of the plot. Fortunately, it remains cleverly hidden. Under a tarp. On a roof. For three months. Unseen by Bane’s pillagers OR the military satellites. And still flying perfectly despite the snow and cold and not being maintained.

Of course, we also see the military order “high level recon” of the city, and then the very next scene is two fighter jets buzzing the city below the level of the skyscrapers. This is high level?

For some reason, Bane’s trademark Venom drug is never seen in this movie. I guess that would be “too comic booky” or something for Mr. Nolan. Instead, Bane’s mask is “explained,” as keeping the pain of his injuries at bay. Right. Injuries from a beating linger years later, causing great pain that a mask prevents. Muuuch more believable than a drug like Venom that has real world analogues like steroids or something.

Batman’s distaste for guns is well known, and makes perfect sense given his origin. Even given the darker tone of the movies, they keep that. But Catwoman using guns is very much out of character for her, and I really don’t care for the change. Also on the gun front, Blake/Robin accidentally kills one of Bane’s men in a fight. Just like any cop, he then tosses aside the gun, not only depriving himself of his weapon but possibly letting someone else pick it up. You get it drilled into you over and over as a cop, CONTROL YOUR WEAPON, not drop it on the ground.

Also on the Blake front, at the end of the movie, he seems to have been picked to be Batman’s successor. Except he has no training, no info on how to find Batman’s trainers, no Alfred. But that’s ok, he’s got the Batcave, which apparently you can find by going through a waterfall on a rope swing. Really secure facility.

Again, despite what this sounds like, I really am a huge Batman fan. I liked Nolan’s other two movies in this series. And I was looking forward to this one. But this wasn’t what I wanted at all. Add that to DC’s general poor track record with movies, and Superman’s apparently new found power to produce contrails from his feet in the “Man of Steel” trailer, and I’m really not optimistic about DC’s cinematic future.

DC & Dan Didio Dash Steph Brown fans’ hopes. Again.

When DC Comics announced their major reboot into the “DCNU” as many fans call it, there were, as you’d imagine, many changes. Some pleased people, some were troubling, some caused outrage. And, honestly, the way DC management has chosen to handle their fans’ concerns has made some things worse.

Many characters have disappeared in the reboot, with differing accounts of what may have happened to them, or what may lie in their future. One of the vanished is Stephanie Brown, who has been Spoiler, Robin IV, and Batgirl III (or IV if you insist on counting Helena Bertinelli briefly wearing the costume). Her stint as the title character in the Batgirl comic was a fan favorite, wonderfully written by Bryan Q. Miller, and it’s abrupt cancellation displeased many.

As the DCNU developed, Steph fans were even more displeased. While the powers that be at DC seem to be going far out of their way to avoid making definitive statements about the various missing characters, the circumstantial evidence about Steph Brown looks bad for her fans. Barbara Gordon is Batgirl again, and in nearly a year of stories, there have been no mention whatever of other either Steph or fellow former Batgirl Cassandra Cain in the books.

We have definitively seen that Steph’s time as Robin has been erased, making her not only the only retconned away Robin, but the only former Robin to not be active in new book. In the Batgirl books, they have very strongly implied that Barbara has been the only Batgirl. And there has been no mention at all of either Spoiler, Steph’s first identity, or Cluemaster, her father and reason she started her heroic career in the first place.

Not only did Steph vanish, but, surprisingly, so did her writer. Bryan Q. Miller was a fan favorite, and his not getting and books in the DCNU surprised many. However, after the first few waves of announcements, we finally learned that Miller had been given a book. They were continuing the long running hit show “Smallville” in a Season 11 book, and Miler was announced as the writer.

Then, things got even better. Miller announced that one of the characters he’d be bringing in was Steph Brown, as that world’s version of Nightwing. Now, that’s not a costume she’d even worn, and it wasn’t a part of the main DC world, but it made Steph fans happy.

Until this weekend. During the massive excitement of ComicCon disturbing rumors began to surface. Bryan Miller tweeted that he’d been removed from the Superman panel at the Con. And then stories started going around that Barbara Gordon would be replacing Stephanie Brown in the Smallville comic.

Now, understand, Steph’s appearance wasn’t rumor. Miller himself announced, there was art released, this was in TV Guide (why, I don’t know, but it was). The rumors swirled, and DC didn’t’ comment on them until Saturday the 14th.

Now, we’ve gotten this:

The outspoken fan who dresses as Batgirl and has often been critical of DC’s policies towards female creators took the mic to thank the panel for making an effort to expand their roster of creators by inviting the likes of Anne Nocenti and Christy Marx as well as putting Becky Cloonan on “Batman” for an issue. She said there’s still more work to be done, but she was very heartened by the way DC spoke out the policy and worked to make a change.

She then asked about the conflicting talk of whether Stephanie Brown would be replaced in the “Smallville” series by Barbara Gordon after the former idea was announced online. “That is true, and there’s a reason for it,” DiDio said, saying that he supported a switch from the original plan to stay in line with “Smallville’s” practice of introducing iconic versions of the DC heroes into the world of Tom Welling’s Clark Kent. “If we’re going to introduce a character into the ‘Smallville’ world, I want them to be the most iconic versions like Barbara Gordon or Dick Grayson, and maybe down the road we can do more.”

Ok, let’s look at this a minute. “Most iconic”? In Smallville? Really? Why is Bart Allen the only speedster in the Smallville world? Why make up the character of Chloe Sullivan? Or change the races of long time Superman supporting characters Lana Lang and Pete Ross? Why introduce Kent Nelson as Dr. Fate only to kill him? Why was Clark known as “The Blur” for so long? Black Canary as both a radio shock jock and hurling knives? NONE of those things are iconic, no matter how you’re using the word (which Dan Didio seems to have a very fluid definition of).

I’d be really curious to hear what led to this sudden about face. I really doubt Bryan Miller got as far as releasing art and doing interviews without someone at DC knowing what he was doing. Clearly, he got approval somewhere, or at the very least wasn’t told “No.” Yet somehow, after it got as far as art not only produced but released, DC pulled the plug on the story. And the “most iconic” rationalization, which was very strained before this, falls apart here. The “most iconic” Nightwing is Dick Grayson, NOT Barbara Gordon. I’ll also point out that so many of the changes they made to costumes made the characters no longer “iconic” in the comics. Superman wearing armor, Harley Quinn barely dressed, and Damian Wayne as Robin are far from iconic.

I don’t tend to put much stock in conspiracy theories, but there seems to be something afoot with some of these characters. Scott Snyder is currently the writer of Batman, and behind the recent major Court of Owls crossover. Even he can’t use them, to judge from his recent comment that he’d like to use either Steph or Cass when he was told they were “ok to be introduced.” I have a few contacts in the comics field and around the edges, and some sources are saying the recent change has nothing to do with “iconic,” but that the Steph and Cass characters are “toxic,” and Didio and company will not approve their use anywhere.

I don’t know what happened to cause DC to suddenly yank the rug out from under Steph fans yet again, but no one I know of is happy about it. Is it really that hard to give Steph’s fans a little something?

I’ll go out on a joke, as someone posted in a great picture for so many of the missing in action from DC:

http://25.media.tumblr.com/tumblr_m730so54HR1qm9f2mo1_1280.jpg